Beethoven’s 16 string quartets occupy a place of honour in the chamber repertoire and, like his nine symphonies and 32 piano sonatas, trace his progression through his creative life. 2020 marks the 250th anniversary of the composer’s birth, and Quatuor Ébène is recognising this with an extensive tour, entitled Beethoven Around the World, which runs from Spring 2019 to December 2020. Over that period the French ensemble will give over 120 concerts in a total of 21 countries on six continents, focusing on complete cycles of the quartets from February 2020.
Beethoven Around the World encompasses live recordings for Erato, building a complete cycle, made in seven of the world’s great cities: Vienna (at the Konzerthaus); Philadelphia (Kimmel Center); Tokyo (Suntory Hall); São Paulo (Sala São Paulo); Melbourne (Melbourne Recital Centre); Nairobi, and, with the support of UNESCO, Paris (Philharmonie de Paris). In addition, the tour will provide the subject matter for a documentary film, to be released at the end of 2020 – also the year in which the Quatuor Ébène celebrates its 20th birthday.
The whole idea for Beethoven Around the World began to take shape in 2014, when Quatuor Ébène received an invitation from Carnegie Hall in New York to perform the Beethoven cycle. The ensemble will appear in six concerts at the legendary venue in Manhattan in April and May 2020.
Speaking of the tour, the members of Quatuor Ébène say: “This is where Beethoven goes global. The quartets are 16 masterpieces that form an eternally modern artistic canon of unparalleled breadth and depth – they translate the purest humanity into music. In themselves they represent an odyssey, a round-the-world voyage.” The players believe that the composer’s music “transcends all linguistic, geographical and political borders ... Both modern and timeless, it is universal. It cannot be readily classified as Classical or Romantic, as German, or even as Western, but it is music that expresses itself freely and which addresses the audiences of the future rather than its own time … It can seem complex at first, but everything becomes clear as its essence emerges.”
The ensemble also emphasises that: “The quartet as a genre gives individual players the chance to shine, yet is simultaneously predicated on collaboration and concord: it shows democracy in action. Its emotional and intellectual power is considerable, yet it is also universally accessible as it embodies underlying ideals – enlightenment, fraternity and humanism, as typified by Goethe and by Schiller in his Ode to Joy [the inspiration for the final movement of Beethoven’s 9th Symphony]. At the same time it is informed by Kant’s ideas on morality, goodwill and the categorical imperative, all of which were gaining currency in Beethoven’s time. It also reflects the German philosopher’s view of our relationship with the natural world, which has such resonance for the environmental issues of today.” Appropriately, the tour will be associated with a carbon offset programme devoted to reforestation.
The two quartets on the first album of the complete cycle were recorded in June 2019 in the Mozart-Saal of the Konzerthaus in Vienna, the city that Beethoven made his home and where he died in March 1827. The works in question are op 59 No 1 (also known as his String Quartet No 7) and op 59 No 2 (String Quartet No 8). Composed in 1806, the year after the premiere of the ground-breaking ‘Eroica’ symphony, they are the first two of the set of three ‘Razumovsky’ quartets. These were commissioned by Count Razumovsky, the Russian ambassador to Vienna, who played second violin in a quartet led by Ignaz Schuppanzigh, a friend of Beethoven’s. Schuppanzigh had also formed his own professional string quartet in 1804 with the intention of giving public quartet concerts; this was an innovation, since quartet-playing had until then been the preserve of cultivated amateurs like Razumovsky. Beethoven also took an innovative approach in the ‘Razumovsky’ quartets, writing on an ambitious ‘symphonic’ scale, making considerable technical and intellectual demands, and taking the genre into a new er
The prestigious Gramophone Awards shortlist has been announced, showcasing the finest classical recordings over the past year, as chosen by the leading classical music magazine's critics and specialists.
Seventy-two recordings have been shortlisted across twelve categories. The top three recordings in each category will be revealed in next issue of the magazine, which goes on sale on August 12.
There are particularly strong contenders in the Vocal categories, with French soprano Sabine Devieilhe - noted by Gramophone for her "pure, sweet timbre and dazzling virtuosity" - up against the likes of Jonas Kaufmann and Max Emanuel Cencic for her multi-award-winning Mozart album The Weber Sisters (Recital category).
Fresh from singing David Bowie at the BBC Proms in London, French countertenor Philippe Jaroussky is in the running for another prize, this time as one of the cast-members in Il Pomo d'Oro's magnificent triple-album recording of the Handel opera Partenope, welcomed by Gramophone as “a landmark event”.
Joyce DiDonato is a strong candidate for the Solo Vocal category for her live double album from Wigmore Hall Joyce & Tony, with her esteemed recital partner Sir Antonio Pappano at the piano in everything from Italian arias to the Great American Songbook.
In Opera, Pappano's Verdi Aïda, the all-star triple album studio recording from Rome, is a clear frontrunner, with tenor Jonas Kaufmann as Rademes - he is nominated again in the same category for his Pagliacci. Gramophone declared soprano Anja Harteros "the most interesting Aïda on record since Callas"; both she and maestro Pappano have been nominated for the public-voted Artist of the Year.
Among the Instrumental selections, Bertrand Chamayou does his countryman Ravel proud in the complete works for solo piano on a double album.
The Concerto category sees young Norwegian violin virtuoso Vilde Frang holding her own alongside the likes of Janine Jansen, with the recent Gramophone Recording of the Month, her "urgently communicative" Britten and Korngold Violin Concertos.
The Chamber category sees two Erato string quartets nominated for two sublime releases: the French Quatuor Ebène for their Schubertalbum featuring baritone Matthias Goerne and cellist Gautier Capuçon, and the German Artemis Quartet's searing Brahms, their last recording with the late, lamented violist Friedemann Weigle, which cellist Eckart Runge sees as "imbued with a sense of warmth, immediacy, friendship and love that is interwoven with a more spiritual, timeless beauty”.
See the full shortlist of the 2016 Gramophone Award nominees here.
The Ebène Quartet's new Schubert album traces the links between Schubert's instrumental chamber music and his mastery of song, placing the monumental String Quintet D956 (guest cellist Gautier Capuçon) alongside five lieder, including the transcendent Death and the Maiden, all in world-premiere arrangements for baritone and strings by the Ebène's cellist Raphaël Merlin.
"He is not only a gifted cellist, but a fantastic arranger and composer," said baritone Matthias Goerne of Merlin. "I have to say it's so astonishing. You have even more possibilities with the strings compared to the original versions."
The admiration was mutual: "Matthias is the king of baritones!" says violinist Pierre Colombet.
"It was a huge privilege for us to have Matthias Goerne sing these arrangements. He is a singer who can walk on water," enthused the Quartet.
Quatuor Ebène's Schubert album, featuring Matthias Goerne, Gautier Capuçon and double bassist Laurèn Durantel, is out now.
Warner Classics and Erato artists were out in full force at the 2016 Victoires de la Musique Classique - the French classical GRAMMYs.
The labels had more artists nominated than any other recording company, with several giving live performances throughout last night's glittering ceremony broadcast to a televised and radio audience of millions on France2 and France Classique.
Bertrand Chamayou took the coveted final prize of Solo Instrumentalist of the Year. "I'm moved to accept this award in my hometown," he said. "I'd like to thank all the Toulousains who supported me from the beginning...I've just released a new album of Ravel that was recorded here in Toulouse."
Chamayou also played a movement of the Liszt Piano Concerto live during the ceremony, with conductor Tugan Sokhiev and the Orchestre National du Capitole de Toulouse, in a performance dedicated to the late French composer-conductor Pierre Boulez.
He is now a three-time Victoires de la Musique Classique laureate, having previously won 'Revelation of the Year, Solo Instrumentalist' in 2006, and 'Recording of the Year' in 2012.
The recording project grew from performances of a ballet production of Daphnis et Chloé at Paris’ Opéra Bastille in Spring 2014: Philippe Jordan, Music Director of the Paris Opéra, was conducting a complete ballet for the first time and the choreographer, Benjamin Millepied – known to a wide audience for his work on the Oscar-winning film Black Swan, starring his wife, Natalie Portman – was undertaking his first major project for the Opéra before assuming his new role as its Director of Dance in Autumn 2014.
Also nominated in this category was the Mozart album The Weber Sisters (Sabine Devieilhe, Pygmalion orchestra and conductor Raphaël Pichon).
Seventeen-year-old trumpet virtuoso Lucienne Renaudin Vary was named Solo Instrumental Revelation of the year. On accepting this award for France’s brightest rising stars, she announced a forthcoming debut album in the planning stages with Warner Classics, a label with a roster of revered trumpet players past and present, notably Maurice André and Alison Balsom.
"I'm so happy to have the opportunity to record a future album based on vocal repertoire, opera and song, and I hope to explore the link between classical trumpet and jazz," she said in a statement. Lucienne also performed the Haydn Trumpet Concerto in E-flat Major as part of the ceremony.
In this category for promising young artists, all three nominees were linked to Warner Classics and Erato. Violinist Camille Berthollet, the winner of the Prodiges competition whose debut album of the same name achieved Gold status in France just weeks after its release, gave a moving live performance of the theme from Schindler's List. Violist Adrien Boisseau, meanwhile, joined the award-winning Ebène Quartet last year and releases his first album as part of the group in April.
Remarkably, the ages of musicians performing in the Victoires de la Musique this year ranged from 17 to 92, with veteran pianist and founder of the Beaux Arts Trio Menahem Pressler receiving a Victoire d'Honneur for Life Achievement - a career spanning more than 70 years. As precise and lively as ever, he accepted the accolade with a live performance of Chopin's A-minor Mazurka Op.17 No.4.
Pressler's 90th birthday celebrations in Paris in 2014 were captured in a live album featuring his chosen chamber music partners the Ebène Quartet. The year 2016 began auspiciously for this living legend with his long-overdue debut with the Berlin Philharmonic at the annual New Year's Eve Concert, now available on DVD from EuroArts.
Warner Classics and Erato congratulate all the award-winners and nominees this year at France's biggest classical music event, the Victoires de la Musique Classique.
The 2016 BBC Music Magazine Awards are now open for public voting: among the nominees are French countertenor star Philippe Jaroussky and Antonio Pappano (and his Aïda cast featuring Anja Harteros, Jonas Kaufmann, Erwin Schrott, Ekaterina Semenchuk and Ludovic Tézier, with the Orchestra dell'Accademia Nazionale di Santa Cecilia).
"Sir Antonio Pappano knows his Verdi – as is in evidence in a performance of the Italian’s Egypt-inspired opera that is as musically brilliant as it is dramatically convincing. The orchestral playing is scintillating, the starry soloists utterly sublime," declared the BBC Music Magazine of Pappano's no-expense-spared studio recording of Aïda from Rome, nominated in the Opera category.
In the Vocal Category, Philippe Jaroussky (along with partners the Ebène Quartet and pianist Jerôme Ducros) is in the running for his eloquent double-album Green. "This labour of love from Philippe Jaroussky is a beautifully conceived and wonderfully sung collection," affirmed BBC Music Magazine. "Jaroussky collates song settings of Verlaine, that most musical of poets, from composers as diverse as Debussy, Massenet, Charles Trenet and Varèse, along with charming rarities in an enticing treasure-trove." (The album also features a duet with French contralto Nathalie Stutzmann.)
The winners will be announced on 5 April at a ceremony in Kings Place, London.
Listen and have your say here. Voting closes 19 February, 2016.
Pianist and revered chamber musician Menahem Pressler has been honoured with the ECHO Klassik Lifetime Achievement Award. Pressler will accept in person at a ceremony on 18 October at the Konzerthaus Berlin.
Born in 1923, Pressler founded the legendary Beaux Arts Trio in 1955, making more than 50 recordings with that beloved ensemble. Indefatigable at 91 years old, he continues to perform and give master classes around the world.
One unforgetable moment in this long and illustrious career is Pressler's 90th birthday gala in Paris, 2013, performing with his chosen guests the Ebène Quartet. This momentous and moving occasion was captured on CD and DVD by Erato.
Explaining his extraordinary longevity as a performer, Pressler – who spent 53 years as the pianist of the Beaux Arts Trio – told Piano Mag: “I'm a born pianist, in the most literal sense. I have devoted my life to the piano, to music: this feeds me each day...It is a rich and healthy life when one can devote oneself exclusively to one's art ... I never miss the chance to share and play with others."
See more ECHO Klassik prizewinners here.
"Voici des fruits, des fleurs, des feuilles et des branches,
Et puis voici mon cœur qui ne bat que pour vous"
"Here are fruits, flowers, leaves and branches,
And here is my heart, which beats only for you."
Philippe Jaroussky sings these intimate lines three times on his forthcoming double album of Verlaine poetry in mélodies and chansons from Fauré to Ferré. Debussy, Fauré and André Caplet all set the poem Green, which gives the album its enigmantic title.
The programme presents a sumptuous collection of Verlaine in music, bursting with themes of love, desire and eroticism: la fatigue amoureuse (the fatigue of love). Although Green hits shelves just after Valentine's Day, we have a sneak peek for you here. Or why not try out a line of poetry on that special someone? We think "Fondons nos âmes, nos cœurs / Et nos sens extasiés" ("Let us mingle our souls, our hearts, our senses in ecstasy") could work rather well.
When the trio decided to stop its activities in 2008, some expected Menahem Pressler to enjoy a well-deserved retirement. But for a musician who only once, forty years ago, reluctantly accepted a proposal to take a few days off, the idea of slowing down seemed preposterous. Not only is playing essential to Menahem Pressler, it is also a source of renewed energy.
Such energy never ceases to amaze those who play with him, as the Quatuor Ebène can well testify. For their first musical collaboration at Munich’s Herkulessaal, Menahem Pressler had travelled from Bloomington, Indiana, where he has been living and teaching for nearly six decades. On the day of his arrival, he scheduled a five-hour long evening rehearsal during which he did not once leave his keyboard, the four string players fuelling up on drinks and sandwiches to keep up with Pressler’s endurance.
My playing must have changed. I am filled with gratitude. Age has the advantage that it is no longer the success that you are after: it is the profound experience… You would like to know why you are on stage. I now feel I can connect people to that which means so much to me. The real enjoyment comes when you are capable of creating something that, for your soul, for your mind, for your friends, and for the audience, is meaningful.Menahem Pressler
History has witnessed numerous wunderkinder. We should be equally stunned when a musician reveals himself as a prodigy in old age: his creative and physical powers allowing him to distill the quintessence of an art which draws on over seven decades of experience. Menahem Pressler definitely belongs to this rare category of “venerable prodigies”. -Pierre-Martin Juban
Menahem Pressler: 90th birthday celebration live in Paris is available now on CD/DVD.
The acclaimed string quartet Quatuor Ebène welcomes a new player into the fold from January 2015, as founding violist Mathieu Herzog embarks on a new direction in his musical career with a focus on conducting.
At just 23 years old, the incoming Adrien Boisseau will be the youngest member of the French foursome that includes Pierre Colombet and Gabriel Le Magadure (violins) and Raphaël Merlin (cello). The group is renowned for its youthful élan and versatility – “a string quartet that can easily morph into a jazz band”, as The New York Times put it – from the groundbreaking album of Debussy, Ravel and Fauré (Gramophone Recording of the Year 2009) to smooth samba with guest vocalist Stacey Kent on this year’s best-selling Brazil.
A student of Tabea Zimmermann, Boisseau was named Young Artist of the Year at the 2014 International Classical Music Awards, the jury deeming him “a particularly mature and introspective musician” while praising his “skillful technique and the beauty of his sonority”. As a soloist with the Kronberg Academy, he has performed and worked with Yuri Bashmet, Gidon Kremer and other masters of the instrument.
“We are delighted that Adrien will be at our side for the quartet’s next thrilling musical adventures in the years to come…” The Ebènes said of their new recruit in a statement. “We sincerely thank Mathieu Herzog for his many years of intensive work and rich collaboration, and wish him every success on his new path.”
The latest disc featuring Herzog on viola is the Ebène Quartet’s landmark live recording with the legendary pianist and chamber musician Menahem Pressler (Beaux Arts Trio) on the occasion of his 90th birthday. The group joined him in vibrant, life-affirming performances of Dvořák’s Piano Quintet in A Major and Schubert’s ‘Trout’ Quintet for an ecstatically received concert at the Salle Pleyel in Paris. Herzog will also be heard on disc in two of the Ebène’s collaborations yet to be released: with Philippe Jaroussky on the album Green: Mélodies françaises sur des poèmes de Verlaine (February 2015) and with Natalie Dessay, also in an album of French mélodies, in September 2015. The first Ebène Quartet album with Adrien Boisseau in his new role will be devoted to Schubert.
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