Modest Mussorgsky, Maurice Ravel
Alexis Weissenberg’s 1971 EMI France recording pairs two peaks of the piano repertoire with fearless architectural rigor and coloristic flair. His Pictures at an Exhibition rejects easy sentimentality, delivering a muscular, razor-sharp performance where Mussorgsky’s raw sonic canvases emerge with brutal clarity and explosive power. By contrast, his reading of Ravel’s Le Tombeau de Couperin showcases a crisp, neo-classical brilliance, articulated with dazzling digital precision and subtle poetry. A captivating study in contrasts that reveals two sides of Weissenberg’s legendary technique.