Artistas colaboradores:
Nicola Rescigno, Orchestre de la Société des Concerts du Conservatoire
Although the bel canto repertoire was crucial to Callas’s career, and she played a significant part in reviving its fortunes, she never sang any of the roles – from both serious and comic operas – that are represented in this recital.
Gramophone said: ‘It is extraordinary how the whole quality and colour of Callas’ voice changes as she moves from one character to another – for example, from the grand manner appropriate to the Babylonian queen [Semiramide] to the passion of the spoilt Italian duchess [Lucrezia Borgia] and thence to the simple charm of the countrywoman Adina [L’elisir d’amore].’