Voting for the coveted Gramophone Artist of the Year Award closes on 31 July; have your say here.

Gramophone's in-depth interview with Artist of the Year nominee Paavo Järvi appeared in the May issue of the magazine. “At a time when some other conductors seem to be focusing their recording activity on single-composer projects or on big landmark ventures, Järvi is bucking the trend in...the way in which he views recording as an integral part of his daily musical life.

"One of the key factors behind his diversity of programming is that he is associated with so many different orchestras that have their own traditions, their own sounds, their own strengths.”

The Estonian maestro made headlines with this year's album of controversial Shostakovich cantatas praising Stalin, including The Song of the Forests and The Sun Shines over our Motherland. "I had to have a bodyguard with me," he told The Wall Street Journal of performances in his home country with the Estonian National Symphony Orchestra and the Estonian Concert Choir.

Järvi also had the honour of conducting the historic opening concert of the Philharmonie de Paris this year, with the late French composer Henri Dutilleux's Sur le même accord on the programme. He recorded the same thrilling work with the Orchestre de Paris for a milestone Dutilleux retrospective album released in January.

Don't forget: 31 July is your last chance to choose one of ten superlative musicians nominated for Gramophone Artist of the Year.

Following international acclaim and Estonia’s first Grammy Award (for their Grieg, Sibelius, Tüür and Pärt recordings on Erato), the Estonian-born conductor Paavo Järvi and the Estonian National Symphony Orchestra turn to rarely performed choral works by Dmitri Shostakovich: Song of the Forests Op. 81, The Sun Shines on our Motherland Op. 90, and The Execution of Stepan Razin Op. 119.

The new release confirms Järvi’s reputation as a conductor with a deep understanding for the music of Shostakovich, as well as a particular affinity for choral music, which has a strong tradition in his homeland. These cantatas have a particular significance in Estonia – a former Soviet Socialist Republic under Stalinist rule – where, according to Järvi, the orchestra’s performance of the works was “scandalous”.

“It got so out of hand that I actually had to have a bodyguard with me because the local papers started publishing articles about me praising Stalin in my concert program,” he told Estonian World. “It was because the lyrics in one of the cantatas were praising Stalin but during the Brezhnev time, the texts were changed so that Stalin’s name was not mentioned. I put all the original lyrics back together…so you get something really scary.”

Shostakovich composed Song of the Forests in 1949, a year after he had been publicly condemned by Stalin’s regime for the anti-Soviet nature of his music and forced to publicly apologise. A large-scale patriotic oratorio for tenor and bass soloists, children’s choir and mixed choir with orchestra, Song of the Forests is set to text by the Soviet poet laureate Yevgeny Dolmatovsky that rhapsodises about Stalin’s post-World War II reforestation programme in Russia and Siberia – a message that takes on renewed environmental urgency today. The work earned Shostakovich the Stalin Prize in 1950.

Shostakovich composed The Sun Shines on our Motherland in 1952 to another text by Yevgeny Dolmatovsky for mixed chorus, boys’ chorus, large symphony orchestra and a brass band of trumpets and trombones. The sun symbolises the Communist Party, leading Russia toward the future. By the time Shostakovich composed The Execution of Stepan Razin for bass, concert chorus and orchestra in 1964, Stalin had died and the composer felt able to take a few risks under the regime of Nikita Khrushchev. The cantata is set to a grisly poem about a 17^th-century Cossack revolutionary. Järvi calls the work an “absolute masterpiece” and a “critical view of the Soviet regime”.

“It is very interesting to see all those three cantatas under the same label, on the same record, because you see the two extremely opposing sides of the great genius composer,” he explains.

Shostakovich Cantatas is available now.