This 12-CD set joins Warner Classics’ Icon series, which pays homage to some of the greatest recording artists of the recent past. The box is devoted to the French conductor Louis Frémaux, who, from 1969 to 1978, preceded Simon Rattle as Principal Conductor of the City of Birmingham Symphony Orch
This 12-CD set joins Warner Classics’ Icon series, which pays homage to some of the greatest recording artists of the recent past. The box is devoted to the French conductor Louis Frémaux, who, from 1969 to 1978, preceded Simon Rattle as Principal Conductor of the City of Birmingham Symphony Orchestra. For the first time, it assembles all the recordings that Frémaux and the CBSO made for EMI. Over the course of the 1970s their discography played a substantial role in building the orchestra’s international reputation before the arrival of Rattle as its Principal Conductor in 1980. Indeed, such was the orchestra’s prowess in the French music favoured by Frémaux that, in 1978, Rattle described the CBSO as “the best French orchestra in the world”.
The vast majority of this Icon set is devoted to French music: Berlioz (notably the Grande Messe des Morts, the first recording project of the CBSO Chorus, which Frémaux established in 1973); Massenet; Bizet (including his rarely-heard symphonic suite Roma); Lalo; Saint-Saëns (including the Symphony No 3, a work closely associated with Frémaux); Fauré (the Requiem); Chabrier; Debussy; Dukas; Ravel; Ibert (whose music occupies almost an entire CD); Honegger; Poulenc (the Gloria, Piano Concerto and Les Biches) and Satie. The British-born composers featured are: Litolff; Walton (who occupies an entire CD, dominated by the two Façade suites), and John McCabe (1939-2015), whose Notturni was premiered by Frémaux and the CBSO in 1970.
Appearing for the first time on CD is a selection of arias by Leoncavallo, Puccini, Bizet, Sullivan, Lehár and Johann Strauss II, sung in English by the tenor by the Birmingham-born tenor David Hughes (1929-1972), who, before turning to opera, had enjoyed success as a popular singer; the arias are complemented by overtures by Offenbach. Other soloists appearing on the set include tenor Robert Tear, cellist Paul Tortelier and pianists John Ogdon and Cristina Ortiz.