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ANDSNES, LEIF OVE
Britten: The Collectors Edition
37 Compact Disc
29 Sep 2008
Barcode: 5099921752629
Composer: Benjamin Britten
Other participants: Andsnes * Bostridge * Brightman * Pears * Mork * Harding * Previn * Rattle * Haitink a.o.
Audio sample & Tracklisting
| Disc 1 | |
| 01 | I. Lacrymosa (Andante ben misurato) -: Sinfonia da Requiem Op. 20 - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 02 | II. Dies irae (Allegro con fuoco) -: Sinfonia da Requiem Op. 20 - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 03 | III. Requiem aeternam (Andante molto tranquillo): Sinfonia da Requiem Op. 20 - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 04 | Dawn: 4 Sea Interludes, Op. 33a - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 05 | Sunday Morning: 4 Sea Interludes, Op. 33a - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 06 | Moonlight: 4 Sea Interludes, Op. 33a - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 07 | Passacaglia from 'Peter Grimes' Op. 33b - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 08 | Storm: 4 Sea Interludes, Op. 33a - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 09 | Theme: Allegro maestoso e largamente (full orchestra - woodwind - brass - strings - percussion - full orchestra): The - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 10 | Variation A: Presto (flutes & piccolo): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 11 | Variation B: Lento (oboes): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 3 - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 12 | Variation C: Moderato (clarinets): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcel - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 13 | Variation D: Allegro con marcia (bassoons): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 14 | Variation E: Brillante, alla polacca (violins): The Young Person's Guide to the Orchestra (Variations and Fugue on a Th - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 15 | Variation F: Meno mosso (violas): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 16 | Variation G: L'istesso tempo (cellos): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Pu - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 17 | Variation H: Cominciando lento ma poco a poco accel. al Allegro (double basses): The Young Person's Guide to the Orches - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 18 | Variation I: Maestoso (harp): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 19 | Variation J: L'istesso tempo (horns): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Pur - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 20 | Variation K: Vivace (trumpets): The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell O - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 21 | Variation L: Allegro pomposo (trombones & tuba): The Young Person's Guide to the Orchestra (Variations and Fugue on - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 22 | Percussion - Variation M: Moderato (percussion): The Young Person's Guide to the Orchestra (Variations and Fugue on a - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| 23 | Fugue: Allegro molto - Con slancio (L'istesso tempo) (full orchestra): The Young Person's Guide to the Orchestra (Varia - Royal Liverpool Philharmonic Orchestra/Libor Pesek |
| Disc 2 | |
| 01 | Canadian Carnival, Op.19 - City of Birmingham Symphony Orchestra/Sir Simon Ra |
| 02 | Theme -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 03 | Var.I Recitative -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 04 | Var.II Romance -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 05 | Var.III March -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 06 | Var.IV Arabesque: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 07 | Var.V Chant -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 08 | Var.VI Nocturne -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 09 | Var.VII Badinerie: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 10 | Var.VIII Burlesque: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 11 | Var.IX Toccata I - Toccata II -: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 12 | Var.X Adagio: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 13 | Var.XI Tarantella: Diversions for piano (left hand) and orchestra, Op.21 - Peter Donohoe/City of Birmingham Symphony Orchestr |
| 14 | Scottish Ballad, Op.26 - Sir Simon Rattle/Peter Donohoe/Philip Fowke/City o |
| 15 | An American Overture, Op.27 - Sir Simon Rattle/City of Birmingham Symphony Orche |
| 16 | Occasional Overture, Op.38 - City of Birmingham Symphony Orchestra/Sir Simon Ra |
| 17 | The Building of the House - Overture, Op.79 - Sir Simon Rattle/CBSO Chorus/City of Birmingham Sy |
| Disc 3 | |
| 01 | I. Toccata (Allegro molto e con brio): Piano Concerto Op.13 - Leif Ove Andsnes/City of Birmingham Symphony Orche |
| 02 | II. Waltz (Allegretto): Piano Concerto Op.13 - Leif Ove Andsnes/City of Birmingham Symphony Orche |
| 03 | III. Impromptu (Andante lento) -: Piano Concerto Op.13 - Leif Ove Andsnes/City of Birmingham Symphony Orche |
| 04 | IV. March (Allegro moderato - sempre alla marcia): Piano Concerto Op.13 - Leif Ove Andsnes/City of Birmingham Symphony Orche |
| 05 | I. Moderato con moto: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster) - Paavo Berglund/Bournemouth Symphony Orchestra/Ida |
| 06 | II. Vivace - Cadenza -: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster) - Paavo Berglund/Bournemouth Symphony Orchestra/Ida |
| 07 | III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (lento) - Lento e solenne): Violin Concerto Op. 1 - Paavo Berglund/Bournemouth Symphony Orchestra/Ida |
| 08 | Young Apollo, Op.16 - Sir Simon Rattle/Peter Donohoe/City of Birmingham |
| Disc 4 | |
| 01 | I. Boisterous Bourrée: Simple Symphony Op. 4 - Norwegian Chamber Orchestra/Iona Brown |
| 02 | II. Playful Pizzicato: Simple Symphony Op. 4 - Norwegian Chamber Orchestra/Iona Brown |
| 03 | III. Sentimental Sarabande: Simple Symphony Op. 4 - Norwegian Chamber Orchestra/Iona Brown |
| 04 | IV. Frolicsome Finale: Simple Symphony Op. 4 - Norwegian Chamber Orchestra/Iona Brown |
| 05 | Introduction and Theme: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 06 | Variation 1: Adagio: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 07 | Variation 2: March: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 08 | Variation 3: Romance: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 09 | Variation 4: Aria italiana: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 10 | Variation 5: Bourrée classique: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 11 | Variation 6: Wiener Walzer: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 12 | Variation 7: Moto perpetuo: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 13 | Variation 8: Funeral March: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 14 | Variation 9: Chant: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 15 | Variation 10: Fugue and Finale: Variations on a theme of Frank Bridge Op. 10 - Norwegian Chamber Orchestra/Iona Brown |
| 16 | Prelude & Fugue Op. 29 - Norwegian Chamber Orchestra/Iona Brown |
| 17 | Lachrymae Op. 48 - Lars Anders Tomter/Norwegian Chamber Orchestra/Ion |
| Disc 5 | |
| 01 | The Tournament: Symphonic Suite from Gloraina, Op. 53a - Takuo Yuasa |
| 02 | The Lute Song: Symphonic Suite from Gloraina, Op. 53a - Takuo Yuasa |
| 03 | March: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 04 | Coranto: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 05 | Pavane: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 06 | Morris Dance: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 07 | Galliard: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 08 | Lavolta: Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances - Takuo Yuasa |
| 09 | Gloriana moritura: Symphonic Suite from Gloraina, Op. 53a - Takuo Yuasa |
| 10 | I. Allegro maestoso: Cello Symphony Op. 68 - Steven Isserlis/City of London Sinfonia/Nicholas W |
| 11 | II. Presto inquieto: Cello Symphony Op. 68 - Steven Isserlis/City of London Sinfonia/Nicholas W |
| 12 | Cadenza: Cello Symphony Op. 68, III. Adagio - - Steven Isserlis/City of London Sinfonia/Nicholas W |
| 13 | IV. Passacaglia (Andante allegro): Cello Symphony Op. 68 - Steven Isserlis/City of London Sinfonia/Nicholas W |
| 14 | Variations on a Christmas carol, 'Men of Goodwill' - Sir Neville Marriner |
| Disc 6 | |
| 01 | I: Poco presto ed agitato: Sinfonietta Op. 1 - Daniel Harding/Britten Sinfonia |
| 02 | II: Andante lento: Sinfonietta Op. 1 - Daniel Harding/Britten Sinfonia |
| 03 | III: Tarantella (Presto vivace): Sinfonietta Op. 1 - Daniel Harding/Britten Sinfonia |
| 04 | Russian Funeral - City of Birmingham Symphony Orchestra/Sir Simon Ra |
| 05 | 'A time there was...' Op.90: I. Cakes and Ale: Suite on English Folk Tunes - Sir Simon Rattle |
| 06 | 'A time there was...' Op.90: II. The Bitter Withy: Suite on English Folk Tunes - Sir Simon Rattle |
| 07 | 'A time there was...' Op.90: III. Hankin Booby: Suite on English Folk Tunes - Sir Simon Rattle |
| 08 | 'A time there was...' Op.90: IV. Hunt the Squirrel: Suite on English Folk Tunes - Sir Simon Rattle |
| 09 | 'A time there was...' Op.90: V. Lord Melbourne: Suite on English Folk Tunes - Sir Simon Rattle |
| 10 | March: Matinées musicales Op. 24 - English Chamber Orchestra/Sir Alexander Gibson |
| 11 | Nocturne: Matinées musicales Op. 24 - English Chamber Orchestra/Sir Alexander Gibson |
| 12 | Waltz: Matinées musicales Op. 24 - English Chamber Orchestra/Sir Alexander Gibson |
| 13 | Pantomime: Matinées musicales Op. 24 - English Chamber Orchestra/Sir Alexander Gibson |
| 14 | Moto perpetuo: Matinées musicales Op. 24 - English Chamber Orchestra/Sir Alexander Gibson |
| 15 | March: Soirées musicales Op. 9 - English Chamber Orchestra/Sir Alexander Gibson |
| 16 | Canzonetta: Soirées musicales Op. 9 - English Chamber Orchestra/Sir Alexander Gibson |
| 17 | Tirolese: Soirées musicales Op. 9 - English Chamber Orchestra/Sir Alexander Gibson |
| 18 | Bolero: Soirées musicales Op. 9 - English Chamber Orchestra/Sir Alexander Gibson |
| 19 | Tarantella: Soirées musicales Op. 9 - English Chamber Orchestra/Sir Alexander Gibson |
| 20 | I. Allegro brillante -: Rossini Suite - Steuart Bedford/John Tunnell/George McPhee |
| 21 | II. Allegretto: Rossini Suite - Steuart Bedford/John Tunnell/George McPhee |
| 22 | III. Allegretto -: Rossini Suite - Steuart Bedford/John Tunnell/George McPhee |
| 23 | IV. Bolero (Allegro moderato) -: Rossini Suite - Steuart Bedford/John Tunnell/George McPhee |
| 24 | V. Allegro con brio: Rossini Suite - Steuart Bedford/John Tunnell/George McPhee |
| Disc 7 | |
| 01 | Prelude: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I - London Sinfonietta/Oliver Knussen |
| 02 | The Fool and the Dwarf (David Purser, principal trombone): The Prince of the Pagodas - Ballet in three acts Op. 57, Act - London Sinfonietta/Oliver Knussen |
| 03 | March and Courtiers' Dance (John Harle, alto saxophone): The Prince of the Pagodas - Ballet in three acts Op. 57, Act I - London Sinfonietta/Oliver Knussen |
| 04 | Entry of the Pages and the Four Kings (Sebastian Bell, principal flute): The Prince of the Pagodas - Ballet in three ac - London Sinfonietta/Oliver Knussen |
| 05 | Variation of the King of the North: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the E - London Sinfonietta/Oliver Knussen |
| 06 | Variation of the King of the East (Michael Thompson, horn): The Prince of the Pagodas - Ballet in three acts Op. 57, Ac - London Sinfonietta/Oliver Knussen |
| 07 | Variation of the King of the West: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Em - London Sinfonietta/Oliver Knussen |
| 08 | Variation of the King of the South (John Chimes, timpani; Kevin Nutty, native drums): The Prince of the Pagodas - Balle - London Sinfonietta/Oliver Knussen |
| 09 | The Kings bow before the Emperor: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emp - London Sinfonietta/Oliver Knussen |
| 10 | Variation of Princess Belle Epine: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Em - London Sinfonietta/Oliver Knussen |
| 11 | Variation of Princess Belle Rose and Pas de deux (Gareth Hulse, oboe; John Miller, trumpet): The Prince of the Pagodas - London Sinfonietta/Oliver Knussen |
| 12 | The Kings and Belle Rose: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of - London Sinfonietta/Oliver Knussen |
| 13 | Belle Epine and the Four Kings: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emper - London Sinfonietta/Oliver Knussen |
| 14 | The Rage of the Kings: The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the - London Sinfonietta/Oliver Knussen |
| 15 | Entry of the Four Winged Frogs (John Orford, principal bassoon): The Prince of the Pagodas - Ballet in three acts Op. 5 - London Sinfonietta/Oliver Knussen |
| 16 | The Strange Journey of Belle Rose to the Pagoda Land: Introduction: Belle Rose borne in by the Frogs: The Prince of the - London Sinfonietta/Oliver Knussen |
| 17 | The Strange Journey of Belle Rose to the Pagoda Land: Waltz (Clouds, Stars and Moon): The Prince of the Pagodas - Balle - London Sinfonietta/Oliver Knussen |
| 18 | The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs: The Prince of the Pagodas - Bal - London Sinfonietta/Oliver Knussen |
| 19 | The Strange Journey of Belle Rose to the Pagoda Land: Entrée (Sea Horses, Fish Creatures and Waves): The Prince of the - London Sinfonietta/Oliver Knussen |
| 20 | The Strange Journey of Belle Rose to the Pagoda Land: Variation (Sea Horses): The Prince of the Pagodas - Ballet in thr - London Sinfonietta/Oliver Knussen |
| 21 | The Strange Journey of Belle Rose to the Pagoda Land: Variation (Fish Creatures) (Helen Tunstall, harp; Joy Farrall, cl - London Sinfonietta/Oliver Knussen |
| 22 | The Strange Journey of Belle Rose to the Pagoda Land: Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Ac - London Sinfonietta/Oliver Knussen |
| 23 | The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs: The Prince of the Pagodas - Bal - London Sinfonietta/Oliver Knussen |
| 24 | The Strange Journey of Belle Rose to the Pagoda Land: Pas de deux (Male and Female Flames): The Prince of the Pagodas - - London Sinfonietta/Oliver Knussen |
| 25 | The Strange Journey of Belle Rose to the Pagoda Land: Variation (Male Flame): The Prince of the Pagodas - Ballet in thr - London Sinfonietta/Oliver Knussen |
| 26 | The Strange Journey of Belle Rose to the Pagoda Land: Variation (Female Flame): The Prince of the Pagodas - Ballet in t - London Sinfonietta/Oliver Knussen |
| 27 | The Strange Journey of Belle Rose to the Pagoda Land: Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Ac - London Sinfonietta/Oliver Knussen |
| 28 | The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose, exhausted, borne in by the Frogs: The Prince of the P - London Sinfonietta/Oliver Knussen |
| 29 | The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose in darkness (Nona Liddell, violin): - London Sinfonietta/Oliver Knussen |
| 30 | The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Pagodas (James Holland, principal percussio - London Sinfonietta/Oliver Knussen |
| 31 | The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Salamander: The Prince of the Pagodas - Bal - London Sinfonietta/Oliver Knussen |
| 32 | The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Pas de deux (The Prince and Belle Rose) (Nichol - London Sinfonietta/Oliver Knussen |
| 33 | The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose hunts for the Prince: The Prince of - London Sinfonietta/Oliver Knussen |
| Disc 8 | |
| 01 | The Palace of the Middle Kingdom: Empress Belle Epine: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III - London Sinfonietta/Oliver Knussen |
| 02 | The Palace of the Middle Kingdom: The Old Emperor (John Harle, alto saxophone): The Prince of the Pagodas - Ballet in t - London Sinfonietta/Oliver Knussen |
| 03 | The Palace of the Middle Kingdom: Appearance of Belle Rose and the Salamander: The Prince of the Pagodas - Ballet in th - London Sinfonietta/Oliver Knussen |
| 04 | The Pagoda Palace: Transformation: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 05 | The Pagoda Palace: Pas de six: Entrée: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 06 | The Pagoda Palace: Variation I: Pas de deux: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 07 | The Pagoda Palace: Variation II: Girl's Solo (Nona Liddell, violin; Christopher van Kampen, cello): The Prince of the P - London Sinfonietta/Oliver Knussen |
| 08 | The Pagoda Palace, Variation III : Boy's Solo: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene - London Sinfonietta/Oliver Knussen |
| 09 | The Pagoda Palace, Variation III : Pas de trois: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scen - London Sinfonietta/Oliver Knussen |
| 10 | The Pagoda Palace, Variation III : Coda: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 11 | The Pagoda Palace: Pas de caractère (The Emperor and the Fool): The Prince of the Pagodas - Ballet in three acts Op. 57 - London Sinfonietta/Oliver Knussen |
| 12 | The Pagoda Palace: Pas de deux (Belle Rose and the Prince of the Pagodas): The Prince of the Pagodas - Ballet in three - London Sinfonietta/Oliver Knussen |
| 13 | The Pagoda Palace: Variation (The Prince): The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 14 | The Pagoda Palace: Variation (Belle Rose): The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 15 | The Pagoda Palace: Finale: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| 16 | The Pagoda Palace: Apotheosis: The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2 - London Sinfonietta/Oliver Knussen |
| Disc 9 | |
| 01 | Rhapsody for string quartet (1929) - Endellion String Quartet |
| 02 | I. Andante - Allegro molto e con fuoco: Quartettino (1930) - Endellion String Quartet |
| 03 | II. Poco adagio ma con moto: Quartettino (1930) - Endellion String Quartet |
| 04 | III. Allegro molto vivace: Quartettino (1930) - Endellion String Quartet |
| 05 | Elegy (1930) - Garfield Jackson |
| 06 | I. Allegro maestoso: String Quartet in D - Endellion String Quartet |
| 07 | II. Lento ed espressivo: String Quartet in D - Endellion String Quartet |
| 08 | III. Allegro giocoso: String Quartet in D - Endellion String Quartet |
| 09 | Phantasy in F minor - Nicholas Logie |
| Disc 10 | |
| 01 | Phantasy Op. 2 - Douglas Boyd/Endellion String Quartet |
| 02 | March: 3 Divertimenti - Endellion String Quartet/Andrew Keener |
| 03 | Waltz: 3 Divertimenti - Endellion String Quartet/Andrew Keener |
| 04 | Burlesque: 3 Divertimenti - Endellion String Quartet/Andrew Keener |
| 05 | Alla marcia - Endellion String Quartet |
| 06 | I. Andante sostenuto: String Quartet No. 1 in D Op 25 - Endellion String Quartet |
| 07 | II. Allegretto con slancio: String Quartet No. 1 in D Op 25 - Endellion String Quartet |
| 08 | III. Andante calmo: String Quartet No. 1 in D Op 25 - Endellion String Quartet |
| 09 | IV. Molto vivace: String Quartet No. 1 in D Op 25 - Endellion String Quartet |
| Disc 11 | |
| 01 | I. Allegro calmo senza rigore: String Quartet No. 2 in C Op 36 - Endellion String Quartet |
| 02 | II. Vivace: String Quartet No. 2 in C Op 36 - Endellion String Quartet |
| 03 | III. Chacony (Sostenuto): String Quartet No. 2 in C Op 36 - Endellion String Quartet |
| 04 | I. Duets (with moderato movement): String Quartet No. 3 Op 94 - Endellion String Quartet |
| 05 | II. Ostinato (Very fast): String Quartet No. 3 Op 94 - Endellion String Quartet |
| 06 | III. Solo (Very calm): String Quartet No. 3 Op 94 - Endellion String Quartet |
| 07 | IV. Burlesque (Fast, con fuoco): String Quartet No. 3 Op 94 - Endellion String Quartet |
| 08 | V. Recitative and Passacaglia 'La Srenissima' (Slow): String Quartet No. 3 Op 94 - Endellion String Quartet |
| Disc 12 | |
| 01 | Canto Primo: Sostenuto e largamente: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 02 | I Fuga: Andante moderato: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 03 | II Lamento: Lento rubato: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 04 | Canto Secondo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 05 | III Serenata: Allegretto (pizzicato): Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 06 | IV Marcia: Alla marcia moderato: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 07 | Canto Terzo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 08 | V Bordone: Moderato quasi recitativo: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 09 | VI Moto perpetuo e Canto quarto: Presto: Suite No. 1 in G for Solo Cello Op.72 - Truls Mørk |
| 10 | I Declamato: Largo: Suite No. 2 in D for Solo Cello Op.80 - Truls Mørk |
| 11 | II Fuga: Andante: Suite No. 2 in D for Solo Cello Op.80 - Truls Mørk/Arne Akselberg |
| 12 | III Scherzo: Allegro molto: Suite No. 2 in D for Solo Cello Op.80 - Truls Mørk/Arne Akselberg |
| 13 | IV Andante lento: Suite No. 2 in D for Solo Cello Op.80 - Truls Mørk/Arne Akselberg |
| 14 | V Ciaccona: Allegro: Suite No. 2 in D for Solo Cello Op.80 - Truls Mørk/Arne Akselberg |
| 15 | I Introduzione: Lento: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 16 | II Marcia: Allegro: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 17 | III Canto: Con moto: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 18 | IV Barcarola: Lento: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 19 | V Dialogo: Allgretto: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 20 | VI Fuga: Andante espressivo: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 21 | VII Recitativo: Fantastico: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 22 | VIII Moto perpetuo: Presto: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| 23 | IX Passacaglia: Lento solenne: Suite No. 3 for Solo Cello Op. 87 - Truls Mørk |
| Disc 13 | |
| 01 | I. Early Morning Bathe: Holiday Diary Op. 5 - Stephen Hough |
| 02 | II. Sailing: Holiday Diary Op. 5 - Stephen Hough |
| 03 | III. Funfair: Holiday Diary Op. 5 - Stephen Hough |
| 04 | IV. Night: Holiday Diary Op. 5 - Stephen Hough |
| 05 | I. John (Poco allegro vivace): Three Character Pieces (1930) - Stephen Hough |
| 06 | II. Daphne (Poco andante grazioso): Three Character Pieces (1930) - Stephen Hough |
| 07 | III. Michael (Poco presto e molto capriccioso): Three Character Pieces (1930) - Stephen Hough |
| 08 | Night Piece (Notturno) (1963) - Stephen Hough |
| 09 | Moderato: Moderato and Nocturne (Sonatina romantica, 1940) - Stephen Hough |
| 10 | Nocturne: Moderato and Nocturne (Sonatina romantica, 1940) - Stephen Hough |
| 11 | Twelve Variations (1931) - Stephen Hough |
| 12 | I. Rather fast and nervous: Five Walztes (Waltzes) (1923-5/1969) - Stephen Hough |
| 13 | II. Quick, with wit: Five Walztes (Waltzes) (1923-5/1969) - Stephen Hough |
| 14 | III. Dramatic: Five Walztes (Waltzes) (1923-5/1969) - Stephen Hough |
| 15 | IV. Rhythmic; not fast: Five Walztes (Waltzes) (1923-5/1969) - Stephen Hough |
| 16 | V. Variations: Quiet and simple: Five Walztes (Waltzes) (1923-5/1969) - Stephen Hough |
| 17 | Lullaby: Two Lullabies (1936) - Stephen Hough/Ronan O'Hora |
| 18 | Lullaby for a Retired Colonel: Two Lullabies (1936) - Stephen Hough/Ronan O'Hora |
| 19 | Mazurka elegiaca Op. 23 No. 2 - Stephen Hough/Ronan O'Hora |
| 20 | Introduction -: Introduction and Rondo alla burlesca Op. 23 No. 1 - Stephen Hough/Ronan O'Hora |
| 21 | Rondo alla burlesca: Introduction and Rondo alla burlesca Op. 23 No. 1 - Stephen Hough/Ronan O'Hora |
| Disc 14 | |
| 01 | I. Introduction (Andante maestoso): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley |
| 02 | II. March (Allegro alla marcia): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley |
| 03 | III. Moto perpetuo (Allegro molto e con fuoco): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley |
| 04 | IV. Lullaby (Lento tranquillo): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley |
| 05 | V. Waltz (Alla valse: vivace e rubato): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley |
| 06 | I. Dialogo (Allegro): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan |
| 07 | II. Scherzo-pizzicato (Allegretto): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan |
| 08 | III. Elegia (Lento): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan |
| 09 | IV. Marcia (Energico): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan |
| 10 | V. Moto perpetuo (Presto): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan |
| 11 | 1. Pan (Senza misura): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 12 | 2. Phaeton (Vivace ritmico): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 13 | 3. Niobe (Andante): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 14 | 4. Bacchus (Allegro pesante): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 15 | 5. Narcissus (Lento piacevole): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 16 | 6. Arethusa (Largamente): Six Metamorphoses after Ovid Op. 49 - Roy Carter |
| 17 | I. Musingly (Meditation): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 18 | II. Agitated (Molto agitatavo): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 19 | III. Restless (Inquieto): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 20 | IV. Uneasy (Ansioso): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 21 | V. March-like (Quasi una marcia): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 22 | VI. Dreaming (Sognanti): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 23 | VII. Greatly rocking (Cullante): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 24 | VIII. Passacaglia (Misurato): Nocturnal after John Dowland Op. 70 - Julian Bream |
| 25 | IX. Slow and quiet (Molto tranquillo): Nocturnal after John Dowland Op. 70 - Julian Bream |
| Disc 15 | |
| 01 | Requiem aeternam dona eis Domine: War Requiem, Op.66, I. Requiem aeternam - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 02 | What passing-bells for these who die as cattle?: War Requiem, Op.66, I. Requiem aeternam - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 03 | Kyrie eleison: War Requiem, Op.66, I. Requiem aeternam - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 04 | Dies irae, dies illa: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 05 | Bugles sang, saddening the evening air: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 06 | Liber scriptus proferetur: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 07 | Out there, we've walked quite friendly up to Death: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 08 | Recordare Jesu pie: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 09 | Be slowly lifted up, thou long black arm: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 10 | Dies irae, dies illa: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 11 | Lacrimosa dies illa: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 12 | Move him into the sun...Pie Jesu: War Requiem, Op.66, II. Dies irae - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 13 | Domine Jesu Christe: War Requiem, Op.66, III. Offertorium - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 14 | So Abram rose, and clave the wood, and went: War Requiem, Op.66, III. Offertorium - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 15 | Sanctus, sanctus, sanctus: War Requiem, Op.66, IV. Sanctus - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 16 | Benedictus qui venit in nomine Domini: War Requiem, Op.66, IV. Sanctus - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 17 | After the blast of lightning from the East: War Requiem, Op.66, IV. Sanctus - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 18 | V. Agnus Dei: War Requiem, Op.66 - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| Disc 16 | |
| 01 | Libera me, Domine, de morte aeterna: War Requiem, Op.66, VI. Libera me - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 02 | It seemed that out of battle I escaped: War Requiem, Op.66, VI. Libera me - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 03 | Let us sleep now...In paradisum: War Requiem, Op.66, VI. Libera me - Elisabeth Söderström/Robert Tear/Sir Thomas Allen/ |
| 04 | Introduction: Shine out (Anon. 16th century): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 05 | The merry Cuckoo (E Spencer): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 06 | Spring, the sweet Spring (T Nashe): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 07 | The Driving Boy (G Peele and J Clare): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 08 | The Morning Star (J Milton): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 09 | Welcome, Maids of Honour (R Herrick): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 10 | Waters above! (H Vaughan): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 11 | Out of the lawn lie in bad (W H Auden): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 12 | When will my May come (Barnefield): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 13 | Fair and Fair (G Peele): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 14 | Sound the flute! (W Blake): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| 15 | Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century): A Spring Symphony Op. 44 (1986 - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr |
| Disc 17 | |
| 01 | I. In a garden shady this holy lady: Hymn to St Cecilia Op. 27 (2004 Digital Remaster) - Choir of King's College, Cambridge/Sir David Willc |
| 02 | II. I cannot grow: Hymn to St Cecilia Op. 27 (2004 Digital Remaster) - Choir of King's College, Cambridge/Sir David Willc |
| 03 | III. O ear whose creatures cannot wish to fall: Hymn to St Cecilia Op. 27 (2004 Digital Remaster) - Choir of King's College, Cambridge/Sir David Willc |
| 04 | I: Procession: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 05 | II: Wolcum Yole!: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 06 | III. There is no rose: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 07 | IV: (a) That yongë child: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 08 | IV: (b) Balulalow: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 09 | V: As dew in Aprille: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 10 | VI: This little Babe: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 11 | VII: Interlude (Andante pastorale) [harp]: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 12 | VIII: In freezing winter night: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 13 | IX: Spring Carol: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 14 | X: Deo Gracias!: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 15 | XI: Recession: A Ceremony of Carols Op. 28 (2004 Digital Remaster) - Choir of King's College, Cambridge/Osian Ellis/Sir |
| 16 | I. Kyrie: Missa brevis in D Op. 63 (2004 Digital Remaster) - Choir of King's College, Cambridge/Ian Hare/Sir Da |
| 17 | II. Gloria: Missa brevis in D Op. 63 (2004 Digital Remaster) - Choir of King's College, Cambridge/Ian Hare/Sir Da |
| 18 | III. Sanctus: Missa brevis in D Op. 63 (2004 Digital Remaster) - Choir of King's College, Cambridge/Ian Hare/Sir Da |
| 19 | IV. Benedictus: Missa brevis in D Op. 63 (2004 Digital Remaster) - Choir of King's College, Cambridge/Ian Hare/Sir Da |
| 20 | V. Agnus Dei: Missa brevis in D Op. 63 (2004 Digital Remaster) - Choir of King's College, Cambridge/Ian Hare/Sir Da |
| 21 | Festival Te Deum Op. 32 (2004 Digital Remaster) - Simon Channing/James Lancelot/Choir of King's Coll |
| 22 | Rejoice in God, O ye Tongues (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 23 | For I will consider my Cat Jeoffry (treble): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 24 | For the Mouse is a creature of great personal valour (alto): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digita - Simon Channing/James Bowman/Richard Morton/Marcus |
| 25 | For the flowers are great blessings (tenor): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 26 | For I am under the same accusation (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 27 | For He is the spirit (bass and choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 28 | Hallelujah (choir): Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster) - Simon Channing/James Bowman/Richard Morton/Marcus |
| 29 | Te Deum (1934) (2004 Digital Remaster) - Rory Phillips/Choir of King's College, Cambridge/J |
| 30 | Jubilate Deo (1961) (2004 Digital Remaster) - James Lancelot/Choir of King's College, Cambridge/ |
| Disc 18 | |
| 01 | Hymn to the Virgin - Stephen Barton/Hugh Hudleston/Warren Trevelyan-Jon |
| 02 | Introduction: Our eyes are blinded by the holiness you bear: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 03 | The Birth of Nicolas: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 04 | Nicolas devotes himself to God: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 05 | He journeys to Palestine: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 06 | Nicolas comes to Myra and is chosen Bishop: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 07 | Nicolas from prison: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 08 | Nicolas and the pickled boys: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 09 | His Piety and Marvellous Works: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 10 | The Death of Nicolas: Saint Nicolas, Op.42 (1995 Digital Remaster) - Robert Tear/Bruce Russell/Sir Andrew Davis/Ian Har |
| 11 | Hymn to St Peter Op. 56a (1968 Digital Remaster) - Mark Emney/Peter Rowe/Wandsworth School Boys' Choi |
| 12 | A Hymn of St Columba (Regis regum rectissimi) (attrib. St. Columba) - Choir of King's College, Cambridge/Christopher Hug |
| 13 | St Godric's Hymn: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 14 | Imon waxe wood: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 15 | Lenton is come: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 16 | The long night: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 17 | Yific of luve can: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 18 | Carol: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 19 | Ye that pasen by: Sacred and Profane Op. 91 - Jeremy Backhouse |
| 20 | A death: Sacred and Profane Op. 91 - Jeremy Backhouse |
| Disc 19 | |
| 01 | A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I - Audience/Clem/Black Bob): T - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 02 | A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott/Rowan/Clem/Black Bob): The Little S - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 03 | A January Morning: III. Duet: "Now, little white boy!" (Clem/Black Bob): The Little Sweep Op. 45 (1995 - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 04 | A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children): The Little Sweep Op. 45 (1995 Digit - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 05 | A January Morning: IV. Shanty: "Pull the rope gently" (Children): The Little Sweep Op. 45 (1995 Digital - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 06 | A January Morning: V. Ensemble: "Is he wounded?" (Sam/Children): The Little Sweep Op. 45 (1995 Digital - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 07 | A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children/Miss Baggott/Black Bob/Cle - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 08 | A January Morning: VII. Trio: "Sam! Sam!" (Black Bob/Clem/Miss Baggott): The Little Sweep Op. 45 (1995 Di - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 09 | A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan/Children): The Little Sweep Op. 45 (1995 Digit - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 10 | A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II - Audience/Rowan/Sam): - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 11 | Later: X. Ensemble: "O why do you weep" (Rowan/Sam/Children): The Little Sweep Op. 45 (1995 Digital Re - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 12 | Later: XI. Pantomine and .....: The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 13 | Later: XII. ..... Scena: "Ah! ..... Blackguards!" (Miss Baggott): The Little Sweep Op. 45 (1995 Digital - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 14 | Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott/Rowan/Children): The Little Sweep Op. 4 - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 15 | Later: XIV. The Night Song: "The owk, wide-winging" (Audience Song III - Audience): The Little Sweep Op. 45 - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 16 | The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet): The Little Sweep Op. 45 (1995 D - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 17 | The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children/Sammy): The Little Sweep Op. 45 (1995 Digital - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 18 | The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children): The L - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 19 | The Next Morning: XVIII. Finale: Coaching Song: "The horses are champing" (Audience Song IV - Omnes/Audienc - Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Be |
| 20 | Theme - A Boy was Born: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 21 | Variation I - Lullaby, Jesu: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 22 | Variation II - Herod: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 23 | Variation III - Jesu, as Thou art our Saviour: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 24 | Variations IV - The Three kings: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 25 | Variation V - In the bleak mid-winter: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 26 | Variation VI - Noël!: A Boy is Born - choral variations on old carols Op. 3 - London Sinfonietta Chorus/Choir of St Paul's Cathe |
| 27 | A Shepherd's Carol (Auden) - Sarah Leonard/Susan Bickley/Gordon Jones/Terry Edw |
| Disc 20 | |
| 01 | Lord Jesus, think on me: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 02 | I, God, that all this world hath wroughte: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 03 | O, Lorde, I thanke thee lowde and still: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 04 | Now in the name of God I will begyne: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 05 | Wyffe, in this vessell we shall be kepte: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 06 | Noye, Noye, take thou thy company: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 07 | Sir! heare are lions, lepardes, in: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 08 | Wiffe, come in! why standes thou their?: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 09 | It is good for to be still: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 10 | Eternal Father, strong to save: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 11 | Now forty dayes are fullie gone: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 12 | Noye, take thy wife anone: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 13 | Noye, heare I behette thee a heste: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 14 | The spacious firmament on high: Noye's Fludde, Op.59 The Chester Miricle Play set to music - Richard Pasco/Donald Maxwell/Linda Ormiston/Alexan |
| 15 | Heaven-Haven: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 16 | O deus, ego amo te: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 17 | Rosa Mystica: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 18 | The Soldier: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 19 | Prayer II: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 20 | God's Grandeur: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 21 | Prayer I: A.M.D.G. (Hopkins) - London Sinfonietta Chorus/Terry Edwards |
| 22 | The Ballad of Little Musgrave and Lady Barnard (1995 Digital Remaster) - Baccholian Singers of London/Jennifer Partridge |
| Disc 21 | |
| 01 | Chaos: The Company of Heaven, Part One - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 02 | The Morning Stars: The Company of Heaven, Part One - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 03 | Angels appear to Jacob, Elisha and Mary: The Company of Heaven, Part Two - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 04 | Christ, the fair glory: The Company of Heaven, Part Two - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 05 | War in the heaven: The Company of Heaven, Part Two - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 06 | Heaven is here: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 07 | A thousand, thousand gleaming fires: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 08 | Funeral march for a Boy: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 09 | Whoso dwelleth under the defence of the most High: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 10 | There came out also at this time: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 11 | Ye watchers and ye holy ones: The Company of Heaven, Part Three - Cathryn Pope/Dan Dressen/Peter Barkworth/Sheila Al |
| 12 | 1. Funeral March -: Ballad of Heroes, Op.14 - Sir Simon Rattle/CBSO Chorus/Simon Halsey/City of |
| 13 | 2. Scherzo (Dance of Death): Ballad of Heroes, Op.14 - Sir Simon Rattle/CBSO Chorus/Simon Halsey/City of |
| 14 | 3. Recitative and Choral - Epilogue (Funeral March): Ballad of Heroes, Op.14 - Sir Simon Rattle/CBSO Chorus/Simon Halsey/City of |
| 15 | 'Praise we great men' -: Praise We Great Men (1976) - Robert Tear/Simon Halsey/Sir Simon Rattle/Alison H |
| 16 | 'Praise we the just': Praise We Great Men (1976) - Simon Halsey/Robert Tear/Sir Simon Rattle/Alison H |
| 17 | [Coda]: Praise We Great Men (1976) - Robert Tear/Simon Halsey/Sir Simon Rattle/Alison H |
| Disc 22 | |
| 01 | I. Fanfare: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 02 | II. Villes: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 03 | IIIa. Phrase: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 04 | IIIb. Antique: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 05 | IV. Royauté: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 06 | V. Marine: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 07 | VI. Interlude: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 08 | VII. Being Beauteous: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 09 | VIII. Parade: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 10 | IX. Départ: Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster) - Heather Harper/Northern Sinfonia Orchestra/Sir Nev |
| 11 | Prologue (horn solo): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 12 | 1. Pastoral: The day's grown old (Charles Cotton): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 13 | 2. Nocturne: The splendour falls on castle walls (Alfred, Lord Tennyson): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 14 | 3. Elegy: O Rose, thou art sick (William Blake): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 15 | 4. Dirge: This ae nighte (anon. 15th century): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 16 | 5. Hymn: Queen and huntress (Ben Jonson): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 17 | 6. Sonnet: O soft embalmer of the still midnight (John Keats): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 18 | Epilogue (horn solo): Serenade for tenor, horn and strings Op. 31 - Neil Mackie/Barry Tuckwell/Steuart Bedford/John Tu |
| 19 | Now sleeps the crimson petal - Neil Mackie/Barry Tuckwell/Scottish Chamber Orches |
| 20 | On a poet's lips I slept (Shelley): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 21 | Below the thunders of the upper deep (Tennyson) (Robin O'Neill, bassoon): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 22 | Encinctured with a twine of leaves (Coleridge) (Thelma Owen, harp): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 23 | Midnight's bell goes ting, ting, ting, ting, ting (Middleton) (Frank Lloyd, french horn): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 24 | But that night when on my bed I lay (Wordsworth) (David Corkhill, timpani): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 25 | She sleeps on soft, last breaths (Owen) (James Brown, cor anglais): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 26 | What is more gentle than a wind in summer? (Keats) (William Bennett, flute; Thea King, clarinet): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| 27 | When most I wink, then do mine eyes best see (Shakespeare): Nocturne, Op.60 - Robert Tear/English Chamber Orchestra/Jeffrey Tate |
| Disc 23 | |
| 01 | 1. Nuits de juin (wds. Victor Hugo): Quatre Chansons françaises (1928) - Sir Simon Rattle/Jill Gomez |
| 02 | 2. Sagesse (wds. Paul Verlaine): Quatre Chansons françaises (1928) - Sir Simon Rattle/Jill Gomez |
| 03 | 3. L'Enfance (wds. Victor Hugo): Quatre Chansons françaises (1928) - Sir Simon Rattle/Jill Gomez |
| 04 | 4. Chanson d'automne (wds. Paul Verlaine): Quatre Chansons françaises (1928) - Sir Simon Rattle/Jill Gomez |
| 05 | Prologue: Our Hunting Fathers Op. 8 - Elisabeth Söderström/Orchestra of Welsh National O |
| 06 | A. Rats Away!: Our Hunting Fathers Op. 8 - Elisabeth Söderström/Orchestra of Welsh National O |
| 07 | B. Messalina: Our Hunting Fathers Op. 8 - Elisabeth Söderström/Orchestra of Welsh National O |
| 08 | C. Dance of Death (Hawking for the Partridge): Our Hunting Fathers Op. 8 - Elisabeth Söderström/Orchestra of Welsh National O |
| 09 | Epilogue and Funeral March: Our Hunting Fathers Op. 8 - Elisabeth Söderström/Orchestra of Welsh National O |
| 10 | Little Sir William: Folk Song Arrangement - Elisabeth Söderström/Orchestra of Welsh National O |
| 11 | Come you not from Newcastle?: Folk Song Arrangement - Elisabeth Söderström/Orchestra of Welsh National O |
| 12 | The Bonny Earl o' Moray: Folk Song Arrangement - Elisabeth Söderström/Orchestra of Welsh National O |
| 13 | Oliver Cromwell: Folk Song Arrangement - Elisabeth Söderström/Orchestra of Welsh National O |
| 14 | In May, in brilliant Athens: Phaedra, Op.93 - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 15 | Oh Gods of wrath: Phaedra, Op.93 - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 16 | My time's too short, your highness: Phaedra, Op.93 - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 17 | La belle est au jardin d'amour: Folk Song Arrangements - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 18 | Eho! Eho!: Folk Song Arrangements - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 19 | Fileuse: Folk Song Arrangements - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 20 | Quand j'étais chez mon père.: Folk Song Arrangements - Felicity Palmer/Endymion Ensemble/John Whitfield |
| 21 | Le roi s'en va-t'en chasse (The King goes a-hunting): Folk Song Arrangements - Felicity Palmer/Endymion Ensemble/John Whitfield |
| Disc 24 | |
| 01 | 1. Sì come nella penna e nell'inchiostro (XVI): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 02 | 2. A che più debb'io mai l'intensa voglia (XXXI): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 03 | 3. Veggio co' bei vostri occhi un dolce lume (XXX): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 04 | 4. Tu sa' ch'io so, signior mie, che tu sai (LV): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 05 | 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 06 | 6. S'un casto amor, s'una pietà superna (XXXII): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 07 | 7. Spirto ben nato, in cui si specchia e vede (XXIV): Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 08 | 1. Oh my black Soule!: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 09 | 2. Batter my heart: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 10 | 3. Oh might those sighes and teares: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 11 | 4. Oh, to vex me: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 12 | 5. What if this present: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 13 | 6. Since she whom I loved: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 14 | 7. At the round earth's imagined corners: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 15 | 8. Thou hast made me: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 16 | 9. Death, be not proud: The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster) - Sir Peter Pears/Benjamin Britten |
| 17 | 1. Let the florid music praise!: On This Island Op. 11 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 18 | 2. Now the leaves are falling fast: On This Island Op. 11 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 19 | 3. Seascape: On This Island Op. 11 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 20 | 4. Nocturne: On This Island Op. 11 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 21 | 5. As it is, plenty: On This Island Op. 11 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 22 | 1. At Day-close in November: Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 23 | 2. Midnight on the Great Western (or The Journeying Boy): Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 24 | 3. Wagtail and Baby (A Satire): Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 25 | 4. The Little Old Table: Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 26 | 5. The Choirmaster's Burial (or The Tenor Man's Story): Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 27 | 6. Proud Songsters (Thrushes, Finches and Nightingales): Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 28 | 7. At the Railway Station, Upway (or The Convict and Boy with the Violin): Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| 29 | 8. Before Life and After: Winter Words Op. 52 (2000 Digital Remaster) - Robert Tear/Sir Philip Ledger |
| Disc 25 | |
| 01 | My beloved is mine Op. 40: Canticle I - Ian Bostridge/Julius Drake |
| 02 | Abraham and Isaac Op. 51: Canticle II - David Daniels/Ian Bostridge/Julius Drake |
| 03 | Still falls the rain Op. 55: Canticle III - Ian Bostridge/Timothy Brown/Julius Drake |
| 04 | Journey of the Magi Op. 86: Canticle IV - David Daniels/Ian Bostridge/Christopher Maltman/Ju |
| 05 | The Death of Saint Narcissus Op. 89: Canticle V - Ian Bostridge/Aline Brewer |
| 06 | The plough boy: Folk Song Arrangements - Christopher Maltman/Julius Drake |
| 07 | The Salley Gardens: Folksong Arrangements - Christopher Maltman/Julius Drake |
| 08 | The foggy, foggy dew: Folk Song Arrangements - Christopher Maltman/Julius Drake |
| 09 | There's none to soothe: Folk Song Arrangements - David Daniels/Julius Drake |
| 10 | O waly, waly: Folk Song Arrangements - David Daniels/Julius Drake |
| 11 | The ash grove: Folk Song Arrangements - Ian Bostridge/Julius Drake |
| 12 | Greensleves: Folk Song Arrangements - Ian Bostridge/Julius Drake |
| Disc 26 | |
| 01 | The Children and Sir Nameless: Two songs by Thomas Hardy - Neil Mackie/Roger Vignoles |
| 02 | If it's ever spring again: Two songs by Thomas Hardy - Neil Mackie/Roger Vignoles |
| 03 | 1. Beware! (Henry Longfellow, from the German): Beware! - Three Early Songs - Neil Mackie/Roger Vignoles |
| 04 | 2. O that I had ne'er been married (Robert Burns): Beware! - Three Early Songs - Neil Mackie/Roger Vignoles |
| 05 | 3. Epitaph: The Clerk (Herbert Asquith): Beware! - Three Early Songs - Neil Mackie/Roger Vignoles |
| 06 | Not even summer yet - Neil Mackie/Roger Vignoles |
| 07 | To lie flat on the back: Two songs by W. H. Auden - Neil Mackie/Roger Vignoles |
| 08 | Night covers up the rigid land: Two songs by W. H. Auden - Neil Mackie/Roger Vignoles |
| 09 | The Oxen (Christmas eve, and twelve of the clock) - Neil Mackie/Roger Vignoles |
| 10 | Dawtie's Devotion: Three rhymes by William Soutar - Neil Mackie/Roger Vignoles |
| 11 | Tradition: Three rhymes by William Soutar - Neil Mackie/Roger Vignoles |
| 12 | The Gully: Three rhymes by William Soutar - Neil Mackie/Roger Vignoles |
| 13 | A Song of Enchantment: Tit for Tat - Jonathan Lemalu/Malcolm Martineau |
| 14 | Silver: Tit for Tat - Jonathan Lemalu/Malcolm Martineau |
| 15 | Tit for Tat: Tit for Tat - Jonathan Lemalu/Malcolm Martineau |
| 16 | Mother Comfort (wds. M. Slater): 2 Ballads - Dame Felicity Lott/Ann Murray/Graham Johnson |
| 17 | Underneath the abject willow (wds. W. H. Auden): 2 Ballads - Dame Felicity Lott/Ann Murray/Graham Johnson |
| 18 | Sweet Polly Oliver (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 19 | The Minstrel Boy (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 20 | The Brisk Young Widow (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 21 | Ca' the Yowes (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 22 | The Lincolnshire Poacher (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 23 | O can ye sew cushions? (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 24 | The trees they grow so high (2000 Digital Remaster): Folk Song Arrangement - Robert Tear/Sir Philip Ledger |
| 25 | Early one morning: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| 26 | How sweet the answer: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| 27 | Voici le printemps: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| 28 | The last rose of summer: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| 29 | Dear harp of my country: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| 30 | Oft in the stilly night: Folk Song Arrangements - Sarah Brightman/Geoffrey Parsons |
| Disc 27 | |
| 01 | The Queen's Epicedium (1980 Digital Remaster) - Benjamin Britten/Sir Peter Pears |
| 02 | Sound the Trumpet: Come ye sons of art away Z323 - Dame Felicity Lott/Ann Murray/Graham Johnson |
| 03 | I attempt from love's sickness to fly (Dryden/Howard): The Indian Queen Z630 - Ann Murray/Graham Johnson |
| 04 | Lost is my quiet for ever Z502 - Dame Felicity Lott/Ann Murray/Graham Johnson |
| 05 | Fairest Isle (Dryden): King Arthur Z628 - Dame Felicity Lott/Graham Johnson |
| 06 | What can we poor females do Z518 - Dame Felicity Lott/Ann Murray/Graham Johnson |
| 07 | I'll sail upon the Dog-star (Thomas D'Urfey) Z571.6: Three realizations of Henry Purcell - Neil Mackie/Roger Vignoles |
| 08 | The Knotting Song (Charles Sedley) Z371: Three realizations of Henry Purcell - Neil Mackie/Roger Vignoles |
| 09 | Man is for the woman made (Peter Anthony Motteux) Z605.3: Three realizations of Henry Purcell - Neil Mackie/Roger Vignoles |
| 10 | 1. Let sullen discord smile (Nahum Tate) Z321.6: Suite of Songs from 'Orpheus Britannicus' - Neil Mackie/Steuart Bedford/John Tunnell |
| 11 | 2. Why should men quarrel? (John Dryden & Sir Robert Howard) Z630.4d: Suite of Songs from 'Orpheus Britannicus' - Neil Mackie/Steuart Bedford/John Tunnell |
| 12 | 3. So when the glittering Queen of Night (Thomas D'Urfey) Z333.11: Suite of Songs from 'Orpheus Britannicus' - Neil Mackie/Steuart Bedford/John Tunnell |
| 13 | 4. Thou tun'st this world (Nicholas Brady) Z328.6: Suite of Songs from 'Orpheus Britannicus' - Neil Mackie/Steuart Bedford/John Tunnell |
| 14 | 5a. 'Tis holiday (Nahum Tate) Z321.5 - 5b. Sound Fame thy brazen trumpet (Thomas Betterton & John Dryden) Z627.22: - Neil Mackie/Steuart Bedford/John Tunnell |
| 15 | We are the darkness in the heat of the day (The Heart of the Matter): Song - Neil Mackie/Roger Vignoles |
| 16 | Frühlingsnacht: Liederkreis Op. 39 (orch. Britten) - Neil Mackie/Steuart Bedford/John Tunnell |
| Disc 28 | |
| 01 | 1. Introduction (orch.): Paul Bunyan - An operetta in two acts and a prologue Op. 17 - Soloists of the Plymouth Music Series, Minnesota/C |
| 02 | Since the birth of the earth (Chorus of Old Trees) -: Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. P - Soloists of the Plymouth Music Series, Minnesota/C |
| 03 | No. No. We do not want life to be slow (Four Young Trees, Chorus of Old Trees) -: Paul Bunyan - An operetta in two acts - Soloists of the Plymouth Music Series, Minnesota/C |
| 04 | Ooh! Ooh! O how terrible to be as old fashioned as a tree (Three Wild Geese) -: Paul Bunyan - An operetta in two acts a - Soloists of the Plymouth Music Series, Minnesota/C |
| 05 | You are all to leave here (Wild Geese, Young Trees, Old Trees) -: Paul Bunyan - An operetta in two acts and a prologue - Soloists of the Plymouth Music Series, Minnesota/C |
| 06 | It isn't very often the conservatives are wrong (Wild Geese)...But once in a while the odd thing happens (Old Trees, Yo - Soloists of the Plymouth Music Series, Minnesota/C |
| 07 | 2a. First Ballad Interlude: The cold wind blew through the crooked thorn (Narrator): Paul Bunyan - An operetta in two a - Soloists of the Plymouth Music Series, Minnesota/C |
| 08 | 3. Bunyan's Greeting (Voice of Paul Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene - Soloists of the Plymouth Music Series, Minnesota/C |
| 09 | 3a. Call of Lumberjacks (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A c - Soloists of the Plymouth Music Series, Minnesota/C |
| 10 | 4. Lumberjacks' Chorus: My birthplace was in Sweden (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue - Soloists of the Plymouth Music Series, Minnesota/C |
| 11 | 4a. Bunyan's Welcome (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing - Soloists of the Plymouth Music Series, Minnesota/C |
| 12 | 5. Quartet of Swedes: Swedish born and Swedish bred (Four Swedes, Bunyan, chorus): Paul Bunyan - An operetta in two act - Soloists of the Plymouth Music Series, Minnesota/C |
| 13 | 6. Western Union Boy's Song: A telegram from oversea (Western Union Boy, chorus, Bunyan, Hel, Sam, Ben): Paul Bunyan - - Soloists of the Plymouth Music Series, Minnesota/C |
| 14 | 7. Cooks' Duet: Sam for soups. Ben for beans (Sam, Ben, Inkslinger, Bunyan): Paul Bunyan - An operetta in two acts and - Soloists of the Plymouth Music Series, Minnesota/C |
| 15 | 8. Animal Trio: Ah! Miaou! The single creature lives a partial life (Fido, Moppet, Poppet): Paul Bunyan - An operetta i - Soloists of the Plymouth Music Series, Minnesota/C |
| 16 | 8a. Bunyan's Goodnight (i) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A cle - Soloists of the Plymouth Music Series, Minnesota/C |
| 17 | 8b. Exit of Lumberjacks: Down the line...Timberrr (Lumberjacks): Paul Bunyan - An operetta in two acts and a prologue O - Soloists of the Plymouth Music Series, Minnesota/C |
| 18 | 9. The Blues: Gold in the North came the blizzard to say (Bunyan, Quartet of the Defeated, Inkslinger): Paul Bunyan - A - Soloists of the Plymouth Music Series, Minnesota/C |
| 19 | 10. Bunyan's Goodnight (ii) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A cl - Soloists of the Plymouth Music Series, Minnesota/C |
| 20 | 10a. Second Ballad Interlude: The Spring came and the Summer and Fall (Narrator): Paul Bunyan - An operetta in two acts - Soloists of the Plymouth Music Series, Minnesota/C |
| 21 | 11. Food Chorus: Do I look the sort of fellow (chorus, Inkslinger, Sam, Ben): Paul Bunyan - An operetta in two acts and - Soloists of the Plymouth Music Series, Minnesota/C |
| 22 | 12. Chorus Accusation: There now look what you have done (Cross, Inkslinger, Jen, Pete, Andy, chorus): Paul Bunyan - An - Soloists of the Plymouth Music Series, Minnesota/C |
| 23 | 12a. Slim's Song: In fair days and in foul...I come from open spaces (Slim, Inkslinger, Poppet, Fido, Moppet, Four Swed - Soloists of the Plymouth Music Series, Minnesota/C |
| 24 | 13. Bunyan's Return: Look, the Chief is back (chorus, Inkslinger, Fido): Paul Bunyan - An operetta in two acts and a pr - Soloists of the Plymouth Music Series, Minnesota/C |
| 25 | 14. Inkslinger's Song: It was out in the sticks (Inkslinger): Paul Bunyan - An operetta in two acts and a prologue Op. - Soloists of the Plymouth Music Series, Minnesota/C |
| 26 | 14a. Entrance of Chorus (Pete, Andy, Jen, Cross): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, S - Soloists of the Plymouth Music Series, Minnesota/C |
| 27 | 15. Tiny's Entrance (Ben, Sam, Cross, Andy, Shears): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I - Soloists of the Plymouth Music Series, Minnesota/C |
| 28 | 15a. Tiny's Song: Ah!...Whether the sun shine upon children playing (Tiny, Inkslinger, chorus, Slim): Paul Bunyan - An - Soloists of the Plymouth Music Series, Minnesota/C |
| 29 | 16. Inkslinger's Regret: All the little brooks of love (Inkslinger, Bunyan, chorus): Paul Bunyan - An operetta in two a - Soloists of the Plymouth Music Series, Minnesota/C |
| 30 | 17. Bunyan's Goodnight (iii) (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The - Soloists of the Plymouth Music Series, Minnesota/C |
| Disc 29 | |
| 01 | 18. Bunyan's Good Morning (Bunyan, chorus): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene - Soloists of the Plymouth Music Series, Minnesota/C |
| 02 | 18a. Shears' Song: It has always been my dream (Shears, Bunyan, Hel): Paul Bunyan - An operetta in two acts and a prolo - Soloists of the Plymouth Music Series, Minnesota/C |
| 03 | 18b. Bunyan's Warning (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearin - Soloists of the Plymouth Music Series, Minnesota/C |
| 04 | 19. Farmers' Song: The shanty-boy invades the wood (Shears, Solo II, Farmers): Paul Bunyan - An operetta in two acts an - Soloists of the Plymouth Music Series, Minnesota/C |
| 05 | 19a. Farmers' Exit (orch., Four Cronies of Hel Helson, Hel): Paul Bunyan - An operetta in two acts and a prologue Op. 1 - Soloists of the Plymouth Music Series, Minnesota/C |
| 06 | 20. The Mocking of Hel Helson: Heron, heron winging by (Hel, Heron, chorus, Moon, Wind, Beetle, Squirrel, Moppet, Poppe - Soloists of the Plymouth Music Series, Minnesota/C |
| 07 | 21. Fido's Sympathy: Won't you tell me what's the matter? (Fido, Hel): Paul Bunyan - An operetta in two acts and a prol - Soloists of the Plymouth Music Series, Minnesota/C |
| 08 | 22. Cats' Creed: Let Man the romantic in vision espy (Moppet, Poppet, Bunyan, Cronies, Hel): Paul Bunyan - An operetta - Soloists of the Plymouth Music Series, Minnesota/C |
| 09 | 23. The Fight: What is it? What's happening? (chorus): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act - Soloists of the Plymouth Music Series, Minnesota/C |
| 10 | 23a. Love Duet: Move, move from the trysting stone (Slim, Tiny, chorus): Paul Bunyan - An operetta in two acts and a pr - Soloists of the Plymouth Music Series, Minnesota/C |
| 11 | 23b. Mock Funeral March: Take away the body and lay it on the ice (chorus, Cronies, Helson, Bunyan: Paul Bunyan - An op - Soloists of the Plymouth Music Series, Minnesota/C |
| 12 | 23c. Hymn: O great day of discovery! (Bunyan, chorus, Hel, Tiny, Slim: Paul Bunyan - An operetta in two acts and a prol - Soloists of the Plymouth Music Series, Minnesota/C |
| 13 | 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled (Narrator): Paul Bunyan - An operetta in two acts and a - Soloists of the Plymouth Music Series, Minnesota/C |
| 14 | Rah! Another slice of turkey (chorus, Fido, Moppet, Poppet) -: Paul Bunyan - An operetta in two acts and a prologue Op. - Soloists of the Plymouth Music Series, Minnesota/C |
| 15 | Dear friends, with your leave (Inkslinger, chorus) -: Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act - Soloists of the Plymouth Music Series, Minnesota/C |
| 16 | Carry her over the water (Tenor I, Tenor II, Baritone, Fido, Moppet, Poppet, chorus) -: Paul Bunyan - An operetta in tw - Soloists of the Plymouth Music Series, Minnesota/C |
| 17 | Where we are is not very far (Tiny, Slim, Inkslinger, chorus, Hel, Shears, Western Union Boy) -: Paul Bunyan - An opere - Soloists of the Plymouth Music Series, Minnesota/C |
| 18 | A telegram from Hollywood (Western Union Boy, Inkslinger) -: Paul Bunyan - An operetta in two acts and a prologue Op. 1 - Soloists of the Plymouth Music Series, Minnesota/C |
| 19 | We always knew that one day you (chorus, Inkslinger): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act - Soloists of the Plymouth Music Series, Minnesota/C |
| 20 | 26. Bunyan's Farewell (Bunyan): Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Chris - Soloists of the Plymouth Music Series, Minnesota/C |
| 21 | 27. Litany: The campfire embers are black and cold (chorus, Fido, Moppet, Poppet, Tiny, Slim, Bunyan, Hel, Inkslinger): - Soloists of the Plymouth Music Series, Minnesota/C |
| Disc 30 | |
| 01 | Peter Grimes (Hobson/Swallow/Peter): Peter Grimes Op. 33, PROLOGUE - Anthony Rolfe Johnson/Stafford Dean/David Wilson-J |
| 02 | You sailed your boat round the coast (Swallow/Peter/Mrs Sedley/Chorus/Hobson/Ellen): Peter Grimes Op. 33, PROLOGUE - Anthony Rolfe Johnson/Dame Felicity Lott/Stafford |
| 03 | Peter Grimes, I here advise you! (Swallow/Chorus/Hobson/Peter): Peter Grimes Op. 33, PROLOGUE - Anthony Rolfe Johnson/Stafford Dean/David Wilson-J |
| 04 | The truth ... the pity (Peter/Ellen): Peter Grimes Op. 33, PROLOGUE - Anthony Rolfe Johnson/Dame Felicity Lott/Orchestra |
| 05 | Interlude I: Dawn: Peter Grimes Op. 33, PROLOGUE - Orchestra of the Royal Opera House, Covent Garden/ |
| 06 | Oh hang at open doors the net (Chorus/1st Fisherman/Auntie/Boles/Balstrode/2nd Fisherman/Rector/Nieces/Mrs Sedley/Swall - Sir Thomas Allen/Patricia Payne/Maria Bovino/Gilli |
| 07 | Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson): Peter Grimes Op. 33, ACT 1 Scene 1 - Anthony Rolfe Johnson/Sir Thomas Allen/Patricia Pa |
| 08 | I have to go from pub to pub (Hobson/Chorus/Ellen/Ned): Peter Grimes Op. 33, ACT 1 Scene 1 - Dame Felicity Lott/Simon Keenlyside/David Wilson-J |
| 09 | Let her among you without fault cast the first stone (Ellen/Hobson/Mrs Sedley/Ned): Peter Grimes Op. 33, ACT 1 Scene 1 - Anthony Rolfe Johnson/Dame Felicity Lott/Sir Thoma |
| 10 | Look! The storm cone! (Balstrode/Chorus/Ned/Boles): Peter Grimes Op. 33, ACT 1 Scene 1 - Sir Thomas Allen/Stuart Kale/Simon Keenlyside/Chor |
| 11 | And do you prefer the storm: Peter Grimes Op. 33, ACT 1 Scene 1 - Anthony Rolfe Johnson/Sir Thomas Allen/Orchestra o |
| 12 | They listen to money (Balstrode/Peter): Peter Grimes Op. 33, ACT 1 Scene 1 - Anthony Rolfe Johnson/Sir Thomas Allen/Orchestra o |
| 13 | What harbour shelters peace (Peter): Peter Grimes Op. 33, ACT 1 Scene 1 - Anthony Rolfe Johnson/Orchestra of the Royal Opera |
| 14 | Interlude II: Storm: Peter Grimes Op. 33, ACT 1 Scene 1 - Orchestra of the Royal Opera House, Covent Garden/ |
| 15 | Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman): Peter Grimes Op. 33, ACT 1 Scene 2 - Sir Thomas Allen/Patricia Payne/Maria Bovino/Gilli |
| 16 | Come on, boy! (Balstrode/Chorus): Peter Grimes Op. 33, ACT 1 Scene 2 - Sir Thomas Allen/Chorus of the Royal Opera House, |
| 17 | Have you heard? The cliff is down (Ned/Auntie/Mrs Sedley/Balstrode/Chorus): Peter Grimes Op. 33, ACT 1 Scene 2 - Sir Thomas Allen/Patricia Payne/Sarah Walker/Simon |
| 18 | Now the Great Bear and Pleiades (Peter/Chorus/Nieces/Boles/Balstrode/Auntie): Peter Grimes Op. 33, ACT 1 Scene 2 - Anthony Rolfe Johnson/Sir Thomas Allen/Patricia Pa |
| 19 | Old Joe has gone fishing (Ned/Chorus/Peter): Peter Grimes Op. 33, ACT 1 Scene 2 - Anthony Rolfe Johnson/Simon Keenlyside/Chorus of t |
| 20 | The bridge is down (Hobson/Ned/Ellen/Boles/Auntie/Nieces/Peter): Peter Grimes Op. 33, ACT 1 Scene 2 - Anthony Rolfe Johnson/Dame Felicity Lott/Patricia |
| 21 | Interlude III: Sunday morning: Peter Grimes Op. 33, ACT 2 - Orchestra of the Royal Opera House, Covent Garden/ |
| 22 | Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector): Peter Grimes Op. 33, Scene 1 - Dame Felicity Lott/Neil Jenkins/Chorus of the Roya |
| 23 | Child you're not too young to know (Ellen/Chorus/Rector/Peter): Peter Grimes Op. 33, Scene 1 - Anthony Rolfe Johnson/Dame Felicity Lott/Neil Jenk |
| 24 | This unrelenting work (Ellen/Peter/Chorus): Peter Grimes Op. 33, Scene 1 - Anthony Rolfe Johnson/Dame Felicity Lott/Chorus of |
| Disc 31 | |
| 01 | Fool to let it come to this! (Auntie/Ned/Boles/Chorus/Mrs Sedley/Balstrode/Lawyer/Swallow/Fisherwoman/Nices/Rector): Pe - Sir Thomas Allen/Patricia Payne/Maria Bovino/Gilli |
| 02 | People! ... No! I will speak! (Boles/Chorus/Balstrode/Rector/Auntie/Ellen): Peter Grimes Op. 33, Scene 1 - Sir Thomas Allen/Dame Felicity Lott/Patricia Payne |
| 03 | We planned that their lives should have a new start (Ellen/Rector/Mrs Sedley/Boles/Ned/Nieces/Auntie/Balstrode/Hobson/S - Dame Felicity Lott/Sir Thomas Allen/Patricia Payne |
| 04 | Now is gossip put on trial (Chorus/Mrs Sedley/Boles/Rector/Ned/Swallow): Peter Grimes Op. 33, Scene 1 - Patricia Payne/Maria Bovino/Gillian Webster/Stuart |
| 05 | From the gutter (Nieces/Auntie/Ellen): Peter Grimes Op. 33, Scene 1 - Dame Felicity Lott/Patricia Payne/Maria Bovino/Gil |
| 06 | Interlude IV: Passacaglia: Peter Grimes Op. 33, Scene 1 - Orchestra of the Royal Opera House, Covent Garden/ |
| 07 | Go there!: Peter Grimes Op. 33, Scene 2 - Anthony Rolfe Johnson/Orchestra of the Royal Opera |
| 08 | In dreams I've built myself some kindlier home (Peter): Peter Grimes Op. 33, Scene 2 - Anthony Rolfe Johnson/Orchestra of the Royal Opera |
| 09 | Now! ... Now! (Chorus/Peter/Boles/Rector/Swallow/Ned): Peter Grimes Op. 33, Scene 2 - Anthony Rolfe Johnson/Stuart Kale/Stafford Dean/Ne |
| 10 | Peter Grimes! Nobody there? (Rector/Swallow/Ned): Peter Grimes Op. 33, Scene 2 - Stafford Dean/Neil Jenkins/Simon Keenlyside/Orches |
| 11 | Interlude V: Moonlight: Peter Grimes Op. 33, ACT 3 - Orchestra of the Royal Opera House, Covent Garden/ |
| 12 | Assign your prettiness to me (Swallow/Nieces/Ned): Peter Grimes Op. 33, Scene 1 - Maria Bovino/Gillian Webster/Stafford Dean/Simon K |
| 13 | Mister Keene! Mister Keene! Can you spare a moment (Mrs Sedley/Ned): Peter Grimes Op. 33, Scene 1 - Sarah Walker/Simon Keenlyside/Orchestra of the Roy |
| 14 | Come along, Doctor! (First Burgess/Burgesses/Rector/Mrs Sedley/Ellen/Balstrode): Peter Grimes Op. 33, Scene 1 - Dame Felicity Lott/Sir Thomas Allen/Sarah Walker/N |
| 15 | Embroidery in childhood was a luxury of idleness (Ellen/Balstrode): Peter Grimes Op. 33, Scene 1 - Dame Felicity Lott/Sir Thomas Allen/Orchestra of t |
| 16 | Mister Swallow! Mister Swallow! (Mrs Sedley/Auntie/Swallow/Hobson): Peter Grimes Op. 33, Scene 1 - Patricia Payne/Stafford Dean/Sarah Walker/David Wi |
| 17 | Who holds himself apart, lets pride rise (Chorus): Peter Grimes Op. 33, Scene 1 - Chorus of the Royal Opera House, Covent Garden/Orc |
| 18 | Interlude VI: Peter Grimes Op. 33, Scene 1 - Orchestra of the Royal Opera House, Covent Garden/ |
| 19 | Grimes! Grimes! (Chorus/Peter): Peter Grimes Op. 33, Scene 2 - Anthony Rolfe Johnson/Chorus of the Royal Opera Ho |
| 20 | Peter, we've come to take you home (Ellen/Peter/Balstrode): Peter Grimes Op. 33, Scene 2 - Anthony Rolfe Johnson/Dame Felicity Lott/Sir Thoma |
| 21 | To those who pass the Borough (Chorus/Swallow/Fisherman/Auntie/Boles): Peter Grimes Op. 33, Scene 2 - Patricia Payne/Stuart Kale/Stafford Dean/Christoph |
| Disc 32 | |
| 01 | Prologue (Prologue): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 02 | Theme: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 03 | Scene 1 : The Journey (Governess): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 04 | Variation I: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 05 | Scene 2 : The Welcome (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 06 | Variation II: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 07 | Scene 3 : The Letter (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 08 | Variation III: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 09 | Scene 4 : The Tower (Governess/Quint): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 10 | Variation IV: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 11 | Scene 5 : The Window (Governess/Mrs. Grose/Miles/Flora/Quint): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 12 | Variation V: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 13 | Scene 6 : The Lesson (Governess/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 14 | Variation VI: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 15 | Scene 7 : The Lake (Governess/Miles/Flora): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 16 | Variation VII: The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 17 | Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel): The Turn of the Screw Op. 54, ACT ONE - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| Disc 33 | |
| 01 | Variation VIII: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 02 | Scene 1 : Colloquy and Soliloquy (Governess/Quint/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 03 | Variation IX: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 04 | Scene 2 : The Bells (Governess/Mrs. Grose/Miles/Flora): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 05 | Variation X: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 06 | Scene 3 : Miss Jessel (Governess/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 07 | Variation XI: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 08 | Scene 4 : The Bedroom (Governess/Miles/Quint): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 09 | Variation XII: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 10 | Scene 5 : Quint (Quint): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 11 | Variation XIII: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 12 | Scene 6 : The Piano (Governess/Mrs. Grose/Flora): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 13 | Variation XIV: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 14 | Scene 7 : Flora (Governess/Mrs. Grose/Flora/Miss Jessel): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 15 | Variation XV: The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| 16 | Scene 8 : Miles (Governess/Mrs. Grose/Miles/Quint): The Turn of the Screw Op. 54, ACT TWO - Ian Bostridge/Joan Rodgers/Julian Leang/Caroline W |
| Disc 34 | |
| 01 | Over hill, over dale (Fairies/Puck): A Midsummer Night's Dream Op. 64, ACT ONE, Introduction - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 02 | Oberon is passing fell and wrath (Fairies/Oberon/Tytania): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 03 | Well, go thy way (Oberon/Puck): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 04 | How now my love? (Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 05 | Be it on lion, bear, or wolf, or bull (Oberon/Demetrius/Helena): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 06 | Welcome wanderer! ... I know a bank (Oberon): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 07 | Is all our company here? (Quince/Bottom/Flute/Snout/Starveling/Snug): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 08 | Fair love, you faint with wand'ring in the wood (Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 09 | Through the frost have I gone (Puck/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 10 | Stay, thou thou kill me, sweet Demetrius (Helene/Demetrius/Lysander/Hermia): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 11 | Come, now a roundel and a fairy song (Tytania): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 12 | You spotted snakes with double tongues (Fairies): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 13 | What thou seest when thou dost wake (Oberon): A Midsummer Night's Dream Op. 64, ACT ONE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 14 | Introduction: A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 15 | Are we all met? (Bottom/Flute/Snout/Starveling/Snug/Quince/Puck): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 16 | I see their knavery (Bottom/Tytania/Solo fairies): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 17 | Be kind and courteous to this gentleman (Tytania): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 18 | Hail! mortal, hail! (Solo fairies/Bottom/Tytania): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 19 | I have reas'nable good ear in music (Bottom/Tytania): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 20 | How now, mad spirit? (Oberon/Puck/Demetrius/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| Disc 35 | |
| 01 | Flower of this purple dye (Oberon/Puck/Lysander/Helena/Demetrius/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 02 | Puppet? Why, so? Ay, that way goes the game (Hermia/Helena/Lysander/Demetrius): A Midsummer Night's Dream Op. 64, ACT T - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 03 | This is thy negligence (Oberon/Puck): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 04 | Up and down, up and down (Puck/Lysander/Demetrius/Helena/Hermia): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 05 | On the ground, sleep sound (Fairies): A Midsummer Night's Dream Op. 64, ACT TWO - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 06 | My gentle Robin, see'st thou this sweet sight? (Oberon/Tytania/Puck): A Midsummer Night's Dream Op. 64, ACT THREE, Intr - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 07 | Helena! Hermia! Demetrius! Lysander! (Demetrius/Lysander/Helena/Hermia): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 08 | When my cue comes, call me (Bottom): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 09 | Have you sent to Bottom's house? (Quince/Starveling/Flute/Snout/Snug/Bottom): A Midsummer Night's Dream Op. 64, ACT THR - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 10 | Now, fair Hippolyta (Theseus/Hippolyta/Hermia/Lysander/Demetrius): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 11 | If we offend, it is with our good will (Rustics): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 12 | Gentles, perchance you wonder at this show (Prologue: Quince): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 13 | In this same interlude it doth befall (Wall: Snout): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 14 | O grim-look'd night, O night with hue so black (Pyramus: Bottom): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 15 | O wall, full often has thou heard my moans (Thisby: Flute/Pyramus/Wall): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 16 | You ladies, you whose gemtle hearts do fear (Lion: Snug): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 17 | This lanthorn doth the horned moon present (Moonshine: Starveling/Thisby/Lion): A Midsummer Night's Dream Op. 64, ACT T - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 18 | Sweet moon, I thank thee for thy sunny beams (Pyramus): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 19 | Asleep, my love? (Thisby/Bottom): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 20 | Come, your Bergomask (Theseus): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| 21 | Now the hungry lions roars (Solo fairies/Puck/Oberon/Tytania/Fairies): A Midsummer Night's Dream Op. 64, ACT THREE - James Bowman/Lillian Watson/Dexter Fletcher/Norman |
| Disc 36 | |
| 01 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: Rome is now ruled by the Etruscan upstart (Male Chorus): The Rape of - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 02 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: It is an axiom among kings (Female & Male Chorus): The Rape of Lu - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 03 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: Here the thirsty evening (Male Chorus/Collatinus/Junius/Tarquinius): - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 04 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: Lucretia! Lucretia! (Junius/Male Chorus/Collatinus): The Rape of Lucr - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 05 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: With you two arm in arm again (Collatinus/Tarquinius/Junius): The Rap - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 06 | abridged) (1993 Digital Remaster), ACT 1 Scene 1: Interlude: Tarquinius does not wait (Male Chorus): The Rape of Lucret - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 07 | abridged) (1993 Digital Remaster), ACT 1 Scene 2: Their spinning wheel unwinds (Female Chorus/Lucretia/Bianca/Lucia): T - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 08 | abridged) (1993 Digital Remaster), ACT 1 Scene 2: It is better to desire (Bianca/Lucretia/Lucia/Female Chorus): The Rap - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 09 | abridged) (1993 Digital Remaster), ACT 1 Scene 2: The oatmeal slippers of sleep (Female & Male Chorus): The Rape of - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 10 | abridged) (1993 Digital Remaster), ACT 1 Scene 2: None of the women move (Female Chorus/Tarquinius/Male Chorus/Bianca/L - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 11 | abridged) (1993 Digital Remaster), ACT 2 Scene 1: She sleeps as a rose (Female & Male Chorus): The Rape of Lucretia - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 12 | abridged) (1993 Digital Remaster), ACT 2 Scene 1: Lucretia! ... What do you want? (Tarquinius/Lucretia): The Rape of Lu - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 13 | abridged) (1993 Digital Remaster), ACT 2 Scene 1: Go, Tarquinius! (Female & Male Chorus/Tarquinius/Lucretia): The R - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 14 | abridged) (1993 Digital Remaster), ACT 2 Scene 1: Interlude: Here in this scene you see (Female & Male Chorus): The - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 15 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: Oh! What a lovely day! (Lucia/Bianca): The Rape of Lucretia Op. 37 (r - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 16 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: How hideous! Take them away! (Lucretia/Bianca/Lucia): The Rape of Luc - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 17 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: Flowers bring to every year (Lucretia/ Bianca): The Rape of Lucretia - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 18 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: Too late, Junius (Collatinus/Lucretia): The Rape of Lucretia Op. 37 ( - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 19 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: This dead hand lets fall (Collatinus/Junius/Lucia/Bianca/Female & - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| 20 | abridged) (1993 Digital Remaster), ACT 2 Scene 2: Is all this suffering and pian (Female & Male Chorus): The Rape o - Sir Peter Pears/Joan Cross/Norman Lumsden/Denis Do |
| Disc 37 | |
| 01 | Whatever you say ... Let her among you without fault cast the first stone (Ellen): Peter Grimes, Op.33 (1993 Digital Re - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 02 | Now the Great Bear and Pleiades (Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 1 Scene 2 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 03 | Interlude III: Sunday morning (orchestra): Peter Grimes, Op.33 (1993 Digital Remaster), Act 1 Scene 2 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 04 | Glitter of waves and glitter of sunlight (Ellen/Chorus): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 05 | Wherefore, I pray and beseech you (Rector/Chorus/Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 06 | O all ye works of the Lord (Chorus/Ellen/Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 1 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 07 | In dreams I've built myself some kindlier home (Peter): Peter Grimes, Op.33 (1993 Digital Remaster), Act 2 Scene 2 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 08 | Embroidery in childhood was a luxury of idleness (Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 1 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 09 | Interlude VI (orchestra): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 1 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 10 | Grimes! ... Steady. There you are (Chorus/Peter/Ellen): Peter Grimes, Op.33 (1993 Digital Remaster), Act 3 Scene 2 - Sir Peter Pears/Joan Cross/Tom Culbert/BBC Theatre |
| 11 | Folk Song Arrangements The plough boy (1993 Digital Remaster) - Benjamin Britten/Sir Peter Pears |
| 12 | Folk Song Arrangements Come you not from Newcastle? (1993 Digital Remaster) - Benjamin Britten/Sir Peter Pears |
| 13 | Folk Song Arrangements The foggy foggy dew (1993 Digital Remaster) - Benjamin Britten/Sir Peter Pears |
| 14 | Le roi s'en va-t'en chasse (The King goes a-hunting): Folk Song Arrangements - Sir Peter Pears/Benjamin Britten |
| 15 | Folk Song Arrangements O waly waly (1993 Digital Remaster) - Benjamin Britten/Sir Peter Pears |